The renowned Inuk sculptor reflects on her mother’s work, currently on view in Surusilutu Ashoona

O'Regan discusses his personal relationship to Blackwood’s art and its subversive nature 

This painting reimagines a Baroque work at the AGO 

The creator of a seven-hour post-apocalyptic dance installation discusses her AGO performance

The Toronto photographer speaks about documenting the legendary Lindsay Kemp

The winner of the 2023 Gershon Iskowitz Prize at the AGO discusses her works on view

Rarely seen sculptures by Loring and Wyle go on view at the AGO this August  

AGO Curator Alexa Greist explores Blackwood's legacy as a renowned printmaker 

Wieland’s experimental films shine on cinema screens this fall in Toronto

The artist reflects on his new AGO installation inspired by spiritual discoveries made in Brazil

A photography exchange in 1988 fostered new artistic connections 

The artist discusses her series of Polaroid self-portraits, on view in Recuerdo

Now on view, Scandinavian artist’s tightly cropped scene packs emotional punch

Co-curators Adam Harris Levine and Suzanne van de Meerendonk discuss what makes a Rembrandt

From film to textiles and plastics, Wieland boldly created art across media  

The AGO's first Picasso retrospective in 1964

Naoko Matsubara’s love for nature, woodcuts and vibrant colours shine in her abstract prints 

Mockrin illuminates gender-based violence at the core of Baroque works in the AGO’s Collection 

 A new photography exhibition at the AGO considers art of and from Latin America

In this video, learn about the nine-foot-tall  sculpture prompting us to rethink monuments

The AGO’s starring moments on the big screen 

Learn more about the AGO’s architectural history

Jazz, punk, and hip hop – the AGO celebrates its long history of live music

 The artist discusses her intuitive and personal approach to art for her solo exhibition 

Works from across Wieland’s prolific career are now on view at the AGO as part of the Toronto-born artist’s first retrospective in almost 40 years

AGO hosts acclaimed author, advocate and president of The Guston Foundation, as part of Light Years: The Phil Lind Gift

The Chilean Canadian photographer reflects on his career defining series, on view now at the AGO

AGO Curator Adam Welch reflects on Light Years: The Phil Lind Gift

The Toronto drag legend brings her iconic tribute to the Walker Court stage on June 20 for Pride and AGO 125

The AGO welcomes one of the founders of the artist group for a public talk on September 3

Vancouver Art Gallery’s Eva Respini shares four things to know about artist Rodney Graham

In 1929, art classes with Group of Seven member Arthur Lismer had lines around the block

Learn more about Yayoi Kusama and her work of art on view now at the AGO

AGO Curator Georgiana Uhlyarik writes about Wieland’s trailblazing legacy 

For the first time in 47 years, Joyce Wieland's monumental quilt has left Spadina subway station 

 Scottish painter Edward Atkinson Hornel created the AGO’s first purchase of a painting in 1905

A lot can happen in 125 years. How much do you know about AGO history?

In 1920, the Group of Seven hosted their first exhibition at the AGO

 These artists used modern art to respond to Brazil’s diverse and changing sociopolitical climate

Curator and writer Ray Cronin on how Colville made the ordinary profound

The acclaimed printmaker reflects on her 70-year career and new AGO exhibition

How the generosity of patrons and donors grew the AGO and its Collection 

 The artist’s soak-stain technique helped usher in a new style of abstract painting 

See highlights from more than one hundred years of publishing art books and catalogues

Toronto artist Jon Sasaki writes about Nakamura’s early figurative works 

Mary Hiester Reid made history as the first woman artist to have a solo exhibition at the AGO 

In this excerpt, curator Marina Dumont-Gauthier writes about the work of the Mexican photographer

On view now at the AGO, Longe’s Police Man captures the subtleties of a fraught moment

Joyce Wieland’s first and only earthwork is recreated in Grange Park