Simone Aziga Simone Aziga writes and edits for Foyer. She is also the Manager, Communications at the AGO. Sort by OldestMost recent On View Into the invisible Journey through the mythical scenes and curious creatures in Shuvinai Ashoona’s drawings. By Simone Aziga On View Indo-Caribbean herstory at the Gardiner Museum In her mixed-media ceramics-based exhibition, Heidi McKenzie enshrines collective memory By Simone Aziga RBC Art Pick After Phaeton We're spotlighting After Phaeton (2013) by Tim Whiten. By Simone Aziga Interviews & Profiles Bidemi Oloyede on photographing Black identity The photographer spoke with Julie Crooks, AGO Curator, Arts of Global Africa and the Diaspora. By Simone Aziga RBC Art Pick Entrance to Coldwell Harbour, Lake Superior We turn our attention to a landscape painting by Lawren S. Harris. By Simone Aziga Pagination Current page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Next page ›› Last page Last »
On View Into the invisible Journey through the mythical scenes and curious creatures in Shuvinai Ashoona’s drawings. By Simone Aziga
On View Indo-Caribbean herstory at the Gardiner Museum In her mixed-media ceramics-based exhibition, Heidi McKenzie enshrines collective memory By Simone Aziga
Interviews & Profiles Bidemi Oloyede on photographing Black identity The photographer spoke with Julie Crooks, AGO Curator, Arts of Global Africa and the Diaspora. By Simone Aziga
RBC Art Pick Entrance to Coldwell Harbour, Lake Superior We turn our attention to a landscape painting by Lawren S. Harris. By Simone Aziga
