Simone Aziga Simone Aziga writes and edits for Foyer. She is also the Manager, Communications at the AGO. Sort by OldestMost recent RBC Art Pick Entrance to Coldwell Harbour, Lake Superior We turn our attention to a landscape painting by Lawren S. Harris. By Simone Aziga Interviews & Profiles From Memory to Monument Inuvialuk sculptor David Ruben Piqtoukun ᑎᕕᑎ ᐱᑐᑯ ᕈᐱᐃᓐ on memory, materiality and his latest solo exhibition By Simone Aziga On View Into the Next World Preparatory paintings on paper by Denyse Thomasos are included in just beyond. By Simone Aziga On View Into the invisible Journey through the mythical scenes and curious creatures in Shuvinai Ashoona’s drawings. By Simone Aziga On View Indo-Caribbean herstory at the Gardiner Museum In her mixed-media ceramics-based exhibition, Heidi McKenzie enshrines collective memory By Simone Aziga Pagination Current page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Next page ›› Last page Last »
RBC Art Pick Entrance to Coldwell Harbour, Lake Superior We turn our attention to a landscape painting by Lawren S. Harris. By Simone Aziga
Interviews & Profiles From Memory to Monument Inuvialuk sculptor David Ruben Piqtoukun ᑎᕕᑎ ᐱᑐᑯ ᕈᐱᐃᓐ on memory, materiality and his latest solo exhibition By Simone Aziga
On View Into the Next World Preparatory paintings on paper by Denyse Thomasos are included in just beyond. By Simone Aziga
On View Into the invisible Journey through the mythical scenes and curious creatures in Shuvinai Ashoona’s drawings. By Simone Aziga
On View Indo-Caribbean herstory at the Gardiner Museum In her mixed-media ceramics-based exhibition, Heidi McKenzie enshrines collective memory By Simone Aziga
